Killer Pig
Originally created for Norway’s Carte Blanche in 2009, Rambert2 revives Sharon Eyal’s pulsating, uncompromisingly physical piece.
See an extract of Killer Pig as part of Sadler’s Wells Sampled, Friday 8 – Saturday 9 February.
- Choreography:
- Sharon Eyal, Gai Behar
- Music:
- Ori Lichtik
- Lighting Design:
- Kevin Jones
- Costumes:
- Sharon Eyal, Gai Behar, Odelia Arnold
- Re-staged by:
- Leo Lerus
- Meshach Henry, Imogen Alvares, Conor Kerrigan, Antonello Sangirardi and Darlyn Perez in Killer Pig © Foteini ChristofilopoulouConor Kerrigan in Killer Pig © Foteini Christofilopoulou.Rambert2 dancers in Killer Pig © Foteini ChristofilopoulouDarlyn Perez in Killer Pig © Foteini ChristofilopoulouMeshach Henry, Conor Kerrigan and Joshua Attwood in Killer Pig © Foteini ChristofilopoulouMeshach Henry, Conor Kerrigan and Hua Han © Foteini ChristofilopoulouHua Han and Rambert2 dancers in Killer Pig © Foteini ChristofilopoulouSalomé Pressac, Darlyn Perez, Hua Han and Antonello Sangirardi in Killer Pig © Foteini ChristofilopoulouHua Han and Rambert2 dancers in Killer Pig © Foteini ChristofilopoulouRambert2 dancers in Killer Pig © Foteini ChristofilopoulouMeshach Henry and Antonello Sangirardi © Foteini ChristofilopoulouSalomé Pressac and Hua Han in Killer Pig © Foteini Christofilopoulou
Creatives
Sharon Eyal
Sharon Eyal danced with the Batsheva Dance Company from 1990-2008 and was their House Choreographer from 2005-2012. In 2013 Eyal launched L-E-V with her long-time collaborator Gai Behar. Eyal has created works for dance companies around the world, including Nederlands Dance Theatre, Royal Swedish Ballet, Carte Blanche Dance in Norway, Hubbard Street Dance Chicago and Tanzcompagnie Oldenburg in Germany. She is a Sadler’s Wells Associate Artist. More
Rambert2
Rambert2 is a new group of the world’s most exhilarating dancers, bringing together dancers with outstanding ability, creativity and individuality, to form a second Rambert ensemble.
Rambert2 is a partnership between Rambert and Rambert School. Rambert2 is supported by the Linbury Trust.
Current works