Thu 13 Mar 2008, 2.00pm, Theatre Royal, Brighton
L'eveil
Choreographer:
Melanie Teall
Composer:
Kurt Weill, Leslie Bricusse, Anthony Newley, Rob Bettle, Melanie Teall
Orchestra:
London Musici
Performers
Dancer | Clara Barberá |
Dancer | Antonette Dayrit |
Dancer | Malgorzata Dzierzon |
Dancer | Gemma Nixon |
Dancer | Pieter Symonds |
Dancer | Gemma Wilkinson |
Singer | Melanie Marshall |
Gran Partita
Choreographer:
Karole Armitage
Composer:
Wolfgang Amadeus Mozart
Orchestra:
London Musici
Performers
Dancer | Antonette Dayrit |
Dancer | Malgorzata Dzierzon |
Dancer | Gemma Nixon |
Dancer | Patricia Okenwa |
Dancer | Pieter Symonds |
Dancer | Angela Towler |
Dancer | Gemma Wilkinson |
Dancer | Eryck Brahmania |
Dancer | Kirill Burlov |
Dancer | Robin Gladwin |
Dancer | Thomasin Gülgeç |
Dancer | Martin Joyce |
Dancer | Alexander Whitley |
Dancer | Renaud Wiser |
Conductor | Paul Hoskins |
Musician | Richard Bayliss |
Musician | Damian Brasington |
Musician | Juliet Bucknall |
Musician | Ruth Buxton |
Musician | Catherine Elliott |
Musician | Kevin Elliott |
Musician | Julian Farrell |
Musician | Lucy Foster |
Musician | Philip Gibbon |
Musician | Lindsay Kempley |
Musician | Stephen Lade |
Musician | Robert Millett |
Musician | Joseph Sanders |
Musician | Ian Scott |
Swansong
Choreographer:
Christopher Bruce
Composer:
Philip Chambon
Music note:
Danced to recorded music
Performers
Victim | Thomasin Gülgeç |
Guard | Eryck Brahmania |
Guard | Hubert Essakow |
Infinity
Choreographer:
Garry Stewart
Composer:
Luke Smiles
Music note:
Danced to recorded music
Performers
Dancer | Antonette Dayrit |
Dancer | Malgorzata Dzierzon |
Dancer | Gemma Nixon |
Dancer | Patricia Okenwa |
Dancer | Pieter Symonds |
Dancer | Angela Towler |
Dancer | Miguel Altunaga |
Dancer | Eryck Brahmania |
Dancer | Kirill Burlov |
Dancer | Hubert Essakow |
Dancer | Thomasin Gülgeç |
Dancer | Martin Joyce |
Dancer | Alexander Whitley |
Source:
Cast sheet and stage manager's report for 13 March 2008 in the Rambert Technical Dept. The one cast sheet for this date has been used for both the matinee and evening performances.